REMI & Remote
Cameras on site. Control room anywhere.
REMI — remote integration — sends camera signals from your venue to a control room somewhere else, so you send fewer people, ship less gear, and spend less budget on travel while the show itself gets bigger.
Why productions go REMI.
A traditional broadcast brings the whole control room to the venue. A REMI production brings only what has to be there — cameras, audio, and a small transmission kit — while the director, TD, replay, and graphics work from a control room that could be across town or across the country.
- Smaller on-site footprint and travel budget
- The same switched, replay-equipped show as a full truck
- Scales from single-venue events to multi-site series
- Ideal for weekly and season-long coverage
Flypacks built to fly.
Our case-built flypack systems pack switching, audio, replay, comms, and transmission into road cases that check onto a truck or an airline pallet, and deploy in hours. Every case is pre-wired and labeled, because show-day setup time is the most expensive time there is.
Transport and cloud, done right.
The heart of REMI is the link. We engineer it with the venue's bandwidth realities in mind — fiber when it's there, bonded cellular when it isn't, SRT for point-to-point contribution, and cloud production platforms when the control room itself lives in the cloud.
Comms ride the same links, so the crew on site and the crew at home talk like they're in one room — because functionally, they are.
Let's plan it.
Tell us the venue and what has to happen there — we'll design the smallest footprint that still delivers the full show.
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